After seven years in prison, Mohamed Khaled Krayem is finally free. His family is happy, but he struggles to think about the future as he must attend medical visits to recover after his release. “They used to beat us with iron and plastic pipes on our hands and feet,” Mohamed says. Welcome: *ahlan wa sahlan.* The interviewees utter these words as if referring to an old acquaintance: *ahlan wa sahlan.* And another: *dulab* (wheel). This method of torture, though simple, became one of the regime's trademarks: seating the prisoner inside a wheel, restraining them, and beating them. “They put you on your back inside the tire and start hitting your feet with strips made from another tire they had cut,” explains Mohamed, the survivor with broken teeth. In the photo, Mohamed assumes the same position he used to sleep in while in prison. After seven years of lying in the same posture, his muscle memory, still fresh since his release only days ago, instinctively reproduces the positions he was forced to adopt in his cell. The lack of space and the repetitive nature of those movements mean he remembers exactly how he lay down and slept in Sednaya Jail.

The shadows already have names. Samuel Nacar.

Awards

Samuel Nacar, winner of the 2025 Luis Valtueña Award for his visual denunciation of torture in Syria


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The shadows already have names, as Spanish photojournalist Samuel Nacar named the series that won the 2025 Luis Valtueña International Humanitarian Photography Award, organized by Médicos del Mundo. It is a work that sheds light on the dark corridors of Sednaya, the Syrian prison where silence became a weapon and suffering became routine. Each image is an echo of the voices that Nacar brought out from behind those walls so that they could be heard.

Samuel Nacar is a documentary photographer and filmmaker. His work explores migration, social conflict, and depopulation, with a gaze that combines rigor and sensitivity. In Las sombras ya tienen nombre (The Shadows Already Have a Name), he reconstructs the Syrian regime’s machinery of terror through testimonies and photographs that reveal the brutality of a prison system turned into a weapon of war.

The series compiles stories from survivors of Syrian prisons such as Sednaya. Images that show systematic violence: torture, starvation, disappearances. Interviews, archives, and visits to key locations after the fall of the regime. Each photograph is more than an image: it is a memory that challenges impunity.

The shadows already have names. Samuel Nacar.

Who are the finalists for the 2025 Luis Valtueña Award?

Jehad Alshrafi (Palestine) – Eternal Death. In Gaza, hunger has become an everyday scene of death. Alshrafi’s images show frail bodies chasing sacks of flour, mothers saying goodbye to their children, and crowds rushing under bombs for a piece of bread. His series is a cry against global indifference.

Yazan Abu Ful, un niño de dos años que sufre desnutrición, posa para una foto en la casa de su familia en el campo de refugiados de Shati, en la ciudad de Gaza, el miércoles 23 de julio de 2025.
Eternal death. Jehad Alshrafi.


Valentina Sinis (Italy) – Were Afghan Women to Unveil Their Tales. Sinis takes us to the heart of Afghanistan, where women live under rules that restrict their freedom. Her images reveal silent resistance: clandestine workshops, secret classes, glances that defy oppression. An intimate portrait of female strength in the face of fundamentalism.

En un taller clandestino de Kabul, mujeres asisten a clases secretas de maquillaje. En 2023, los talibanes ordenaron el cierre de todos los salones de belleza del país, alegando que ofrecían servicios prohibidos por el Islam y que generaban dificultades económicas para las familias de los novios durante las bodas. Junto con limitar el empleo femenino y su acceso a espacios públicos como parques y gimnasios, los talibanes también han impuesto fuertes restricciones a la libertad de prensa. Como consecuencia, millones de adolescentes permanecen fuera de la escuela, y las universidades han sido declaradas inaccesibles para mujeres. Las asistentes a este taller esperan que algún día puedan trabajar públicamente otra vez o iniciar negocios secretos de belleza. Algunas jóvenes ya han comenzado a abrir sus propios salones clandestinos.
Were Afghan Women to Unveil Their Tales. Valentina Sinis.


Santi Palacios (Spain) – No one arrived in time. Palacios documents the worst flood of the century in the Valencian Community, Spain. Houses destroyed, objects turned to mud, lives suspended in uncertainty. His series is a reflection on the climate emergency and the fragility of our cities in the face of extreme events.

Un hombre camina sobre el barro que inunda el centro de Paiporta, la localidad más afectada por la riada que devastó el sur de Valencia, España, el 29 de octubre de 2024.
Nadie llegó a tiempo. Santi Palacios.

How many projects participated in the 2025 Luis Valtueña Award?

For the 29th edition of the Luis Valtueña International Humanitarian Photography Award, 680 projects and 6,130 images were received from 84 countries, confirming the global reach of the competition.

The participation of female photojournalists reached 27%, and the Award organisers remain committed to encouraging more and more female photojournalists to enter this competition, whose perspective always enriches the award’s journey.
This level of participation shows that photography continues to be a powerful tool for denouncing injustices and highlighting realities that remain hidden.

When will the winning entries of the 2025 Luis Valtueña Award be exhibited?

In February 2026, the winning projects will be on display in an exhibition at the Ortega-Marañón Foundation in Madrid.
This edition of the Luis Valtueña Award is made possible thanks to Fujifilm Spain, which provides the best paper, laboratory and framing to bring the images to life; and the SEUR Foundation, which makes it possible for the exhibition to travel and be shown in different cities across Spain. Because behind every image there is a collective commitment to ensure that these stories reach further and continue to raise awareness.

The award

The Luis Valtueña Award, now in its 29th year, was created to honour the memory of four aid workers killed in Rwanda and Bosnia while working with Médicos del Mundo: Flors Sirera, Luis Valtueña, Manuel Madrazo and Mercedes Navarro. Since then, it has established itself as one of the most prestigious competitions in humanitarian photography with a clear objective: to highlight human rights violations.