{"version":"1.0","provider_name":"Premio Luis Valtue\u00f1a","provider_url":"https:\/\/premioluisvaltuena.org\/en\/","author_name":"Nora Mora","author_url":"https:\/\/premioluisvaltuena.org\/en\/author\/eliett\/","title":"Nazik Armenakyan: The photographer of the impossible - Premio Luis Valtue\u00f1a","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"tftAtf7L2K\"><a href=\"https:\/\/premioluisvaltuena.org\/en\/nazik-armenakyan-the-photographer-of-the-impossible\/\">Nazik Armenakyan: The photographer of the impossible<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/premioluisvaltuena.org\/en\/nazik-armenakyan-the-photographer-of-the-impossible\/embed\/#?secret=tftAtf7L2K\" width=\"600\" height=\"338\" title=\"&#8220;Nazik Armenakyan: The photographer of the impossible&#8221; &#8212; Premio Luis Valtue\u00f1a\" data-secret=\"tftAtf7L2K\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/premioluisvaltuena.org\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/premioluisvaltuena.org\/wp-content\/uploads\/2023\/03\/Nazik-Atrmenakian-foto-Piruza-Khalapyan.jpg","thumbnail_width":2388,"thumbnail_height":2387,"description":"Nazik Armenakyan was moved by the invisible reality of armenian women with HIV after being infected by their husbands and, even though she knew it was an almost impossible subject to photograph, she armed himself with her camera and portrayed some of them in her work &#8220;Red Black White&#8221;. A work that has earned her"}